RETOX - CD release by John Eberly

CD Personnel:
• John Eberly, vocals, acoustic, electric, and bass guitars
• Josh Davies, piano, synthesizer
• Matt Penner, drums, percussion
• Katherine Eberly, backing vocals
• Josh Goss, saxophone, harmonica, flute

All songs written by John Eberly copyright 2007
Produced by John Eberly and Josh Davies
Recorded, mixed, and mastered by Josh Davies

Purchase a copy of
"RETOX"

Available in Hutchinson at Hastings
416 E. 30th

or by mail order $9.00 to
709 N. Washington
Hutchinson, KS 67501

By either check or money order made out to John Eberly.


CD cover
 

Track listing:
1. Not Your Fault
2. Under The Stares (Love Will Bring you Down)
3. Somewhere Along The Way
4. Broken Heartland
5. The Ocean
6. Your Best Friend 7. Steps
8. One Good Reason
9. Deeper Than Blue
10. The Only One
11. Would You?
12. Days [click to listen]
13. Blue Million
14. Jumpstart [click to listen]

General Information:
Originally titled “Songs For M” many of the songs on the new cd “Retox” by John Eberly (see his previous cd “Imagination” –voted best Wichita-area release of 2004) were written in response to a request by John and Martina McBride for songs for McBride’s most recent release. The recordings were submitted as simple acoustic guitar/vocal tracks, mixed and regarded as “finished.” These demos for M. McBride circulated among friends of John E.’s who urged him to go into the studio and flesh out the tracks. Arrangements were made and over a ten-day period in late February he worked primarily with Josh Davies on Steinway piano and synthesizer (Davies also mixed and co-produced “Retox”), Matt Penner on drums (veteran of the local punk rock scene in bands Penny District, and Last Ride Out). Playing acoustic, electric and bass guitars, and handling all vocals and harmonies –with the harmonic help of wife Katherine on some tracks, Eberly also enlisted the aid of Josh Goss, who previously played alto sax on some dates in Hutchinson supporting the “Imagination” cd, to add sax, harmonica, and flute.  

The result is “Retox” the reinvigorated, intoxicating, full sound of the potential the songs that began as stripped-down to the basics unplugged demos for Martina held all along. They have an over-all “Country-rock” feel, although more akin to the roots of Country, Blues, Rock, and even Rockabilly -check out “One Good Reason”- than to any contemporary “Country” music sound. Some tracks defy any label –such as the rhapsodic “Would You?” while others echo early Rolling Stones with Andrew Loog Oldham, like “Under The Stares (Love Will Bring You Down)” while “Days” is decidedly Beatlesque. “Broken Heartland” not only defines the song’s Kansas roots but also that the home is most often where the heart breaks. Defining broader parameter’s of loss ala a country blues form reminiscent of Leadbelly, “A Blue Million” also takes its title from an old Captain Beefheart lyric. Like 2004’s cd “Imagination, John Eberly’s songwriting inspirations are eclectic and his powers of synthesizing various styles and influences not always easy to detect or define.

The cover image of John Eberly splayed across the stage apparently unconscious holding a bass guitar is based on the classic image of Orpheus washed up on the shore with his 4-string lute returning to the world of consciousness after descending to the underworld.

John Eberly regularly performs as a solo artist, often with the help of his wife Katherine on vocals, guitars and sometimes drums/percussion. He works with various break-out groups that in the past year have included a string quartet from the Hutchinson Symphony, as well as the entire Hutchinson High School symphony orchestra. The musicians assembled for the RETOX sessions will form the core of the band that will perform music from the cd under the nom de plume John Eberly & The Shiftless Drifters.

Watch local listings for performances in Wichita and surrounding area this summer!

For bookings
Contact: email
Phone: 620/474-1861


Notes on the packaging of RETOX by John Eberly:

”Do-It-Yourself” is pure punk ethos. The packaging of RETOX hearkens back to the days when John E. would record original cassette albums at home on a 4-track Fostex. A quick trip to Kinko’s with homemade artwork, and a new album of songs was born and ready to distribute.

RETOX was recorded with the best 24-track equipment and microphones available, even run through a studio-quality finalizer after mixdown. Sonically, it is the finest D.I.Y. presentation of John Eberly’s recorded work to date. The slim-line cases and photocopy sleeve however, hearken back to the good old days. No fake label or pretense involved. This product is obviously homemade by the hands of the artist.

There is a whole cottage industry of cd duplication services available for independent recording artists without a label to produce a product that mimics a “major” label release. It is reminiscent of the days when a poet would send a manuscript of poems off to an ad found in the back of a magazine that offered to “publish” their poems in book form for a price. For a relatively hefty fee, for example, $1,000 for 1,000 cd’s (in a descending scale in which the fewer bought, the higher the price per unit) the independent recording artist can get a uniform product into the stores and attempt to pass it off as “mainstream.” But with no distribution, most copies of self-produced cd’s do not sell well. Few people have the $ to spend recording and then footing the bill for such production, not to mention the depressing trunk-load of cd’s carted around to hawk at gigs and give away as presents for years to come.

Getting signed to a small label somewhere may seem like an alternative, however, these labels virtually operate the same way the vanity press of old produced books for self-proclaimed poets. They produce the product and sell it back to the artist. Distribution, again, is virtually non-existent.

What about the big payoff, the major label signing? Champagne all around! Often the deal goes like this… “we’re interested in careers, not hits.” But if the “hit” isn’t forthcoming, what “career” are they going to support?

Punk rock was originally a rebellion against major label mentality. Of course, it was co-opted as any fashion trend eventually is co-opted and sold to the mainstream. But the spirit of DIY will always come back around when the alternatives are to be accepted and financed by some record company, or to pathetically try to resemble the cooperate appearance.

RETOX is a step backward to go forward… Doing it yourself doesn’t break the bank of the artist, while passing on savings to those who enjoy music for the sake of the music and not for the way it “looks.”

Index